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Concerning the latter, I will explore particular spaces for popular representation in Japan: minstrel characters and their many reiterations throughout Japanese popular culture and hip-hop culture. This emerging relationship between Japan and the US not only involved the transfer of democratic ideals but also facilitated the spread of American conceptions of race and blackness. By Channelle Russell This digital humanities project considers two forms of occupation in Japan: physical occupation in the immediate post-war period and cultural occupation, through images and media depicting blackness. Arguing that the period of occupation is foundational when considering blackness in the Japanese imagination, the article highlights proximity between African-Americans and the Japanese, a proximity that I argue subsequently affected Japanese conceptions of blackness in media and culture. Perhaps one of the most prevalent ways of cultural presentations of blackness can be seen in Japan is through hip-hop culture, which emerged in the s. Though there had existed contact between African-Americans and Japan and the burgeoning Transpacific solidarity, the post-World War II occupation period brought African-Americans and Japanese people into prolonged proximity for perhaps the first time in history. For example, during the period of occupation, it was commonplace for black soldiers to be referred to as kurumbo , a highly-derogatory Japanese racial slur for black.

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Julia. Age: 30.
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Undeniably, African-American men occupied a position of power when considering their presence as American soldiers, they were also subject to both the prejudice of racially-segregated policy and wide-spread colorist notions concerning darker skin in Japan.

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Marjorie. Age: 30.
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With the entrance of the US into the Korean War, the bodies and physical presence of African-Americans in Japan may have retreated, travelling west, but memory and images remained. In a way we are like negros, who have a long record of oppressions and misunderstanding, and we feel akin to them. Popo in the show and manga, produced decades after the Dakkochan began being sold and the Little Black Sambo began circulation in Japan, is one such example of an enduring cultural image of blackness in Japan. In Japan, African-American men were allowed more freedom to express their manhood —intrinsically tied to their status as soldiers — in a militarized context.

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